Claudia Hart is considered an early innovator in virtual imaging, using 3D animation to make media installations and projections, then later as they were invented, other forms of VR, and AR. Ms. Hart has a long engagement with creating gender neutral avatars partially as a result of being exposed to sexual misogyny while being in the art and tech field. She has always been keenly aware of the how women’s bodies were portrayed in the cannon of western art history and has been an eary innovator of creating non-binary avatars in her art work often blending men and women performers into a single figure.
Ms. Hart presents Alice Inside as a virtual immersive room installation in Synthetic Corpo-Reality. It is the Fourth work loosely inspired by Alice in Wonderland. In an earlier work Alice Inside, a multi-channel computer animation, featured live performances by ballerina (Kristina Isabelle) and professional wrestler (Isaias Valesquez ). The pair was digitally captured and then fused into a single gender neutral avatar who danced inside of an imaginary world. After Ms. Hart digitally recorded Ms. Isabelle’s dance and Isaias Valesquez, she built a VR experience merging both realities, and asked Edmund Campion to make software to create music for the piece.
In her latest work Alice Inside, Ms. Hart merges elements from different works creating a visual pot pourri which combines two different historical representational systems simultaneously: animation and the post-cinematic virtual. The viewer has the feeling they are inside an immersive real space and are watching a 4 channel projection of a “cyborg choreography ” from Alice Inside.
In Alice Inside, the avatar’s dance movements create corresponding movements of the virtual space itself.The effect is a strange new reality. In this new space, the viewer is privy to a rare fusion. The work becomes a visceral symphony of movement and music, while the virtual space pulsates and becomes animate.
With Alice Inside, Ms. Hart pays tribute to the Argentine author Jorge Borges as she says “Alice Inside is a four channel video that is installed in a small section of the model I used to make it: The Flower Matrix. So the piece will actually play inside of itself. So it’s a simulation inside of a simulation inside of a simulation. Alice Inside is a halfway space, one that is truly liminal”.